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Piano Lessons with Frederic Chopin
You could actually take piano lessons with Frederic Chopin, if you had enough social class and cash. His students were a mix of great artists and the daughters of the upper classes. He made his living almost entirely from teaching piano, alone among the great composers.
See also CHOPIN'S SINGING PIANO TONE
In the 1840’s he was the most famous piano teacher in Paris, largely because he was also one of the most famous and beloved composers in the world. His roster of students contained many great and good pianists, among them Mikuli, who became the editor of Chopin’s printed piano music. Chopin taught at home in a lavish, well appointed studio.
Easy Classical Piano
Chopin’s Teaching Studio
It contained two pianos. There was one beautiful Erard concert grand, on which the student played, and a small cottage upright, at which the master sat and demonstrated. The master was always fastidiously attired in the latest fashions. He had a passion for perfectly white gloves, as well as a four-horse team at the ready should he wish to go visiting the upper class.
The master instructed his students to seek out and play only the finest pianos. He thought playing on inferior instruments ruined a good finger technique. His emphasis at first was on relieving the tension found in many students’ hands.
Chopin Reveals The Secret
There is the famous story of the English millionaire who sought to unlock the secret of the sublime G minor Ballade. “I’ll pay you 10,000 pounds if you will show me the secret of the Ballade.” Chopin chuckled and said, “Play it for me.”
The millionaire offered his rushed, overly emotional rendition of the famed concert warhorse. Chopin then took the money. He delivered his advice with a sly smile. “Relax.” The point being, Chopin’s music is tremendously difficult, and, on top of this, you have to be completely loose and relaxed.
Chopin’s Daily Schedule
Chopin began at eight in the morning and taught all day. This was because, as he said, “All those white gloves cost money.” He was a dandy and fastidious dresser, and traveled only in the highest echelons of Paris high society. He was in constant demand both as pianist and personality.
Chopin’s Teaching Methods
To the talented student, he was both inspiring and confusing. Giving great advice was his stock in trade. But one student pointed out that, “The master is so confusing. He demonstrates how I should play, but every time he plays a piece, it is completely different!”
To the untalented, he could be cruel. Many of his students were titled young ladies of very high social standing but little talent. They took lessons from Chopin because they could afford to. Taking lessons with Chopin conferred social status. It was an honor to study with such a great master.
But his assistant, Mikuli, noted many times when these rich young ladies would be reduced to tears and run away in horror. The master had criticized their playing most harshly.
Rich or poor, at the end of the lesson the student put their payment in gold on the mantelpiece, while the master discreetly turned his back. Great masters do not tarnish their hands with your money until your back is turned.
ADULT PIANO BOOKS
REFERENCES
Music History
What Killed the Golden Age of the Piano
Carl Tausig Cooks His Cat
I Meet Aaron Copland
George Sand Killed Chopin
Why Brahms Must Have Been Fat
Artur Rubinstein Was A Vampire
Igor Stravinsky Loses His Cool
Vladimir Horowitz Goes To The Racetrack
Beethoven Was No Beauty
The World’s Largest Blue Danube Waltz
Was Mozart Murdered?
Beethoven’s Rage Over A Lost Penny
Franz Schubert, The First Bohemian
Chopin’s Singing Piano Tone
Stravinsky’s Good Luck
Tchaikovsky’s Greatest Fan
Hector Berlioz and the Orchestral Train Wreck
Piano Lessons with Papa Bach
The Great Piano Craze of 1910
The American Piano Wars
Why Hugo Wolf Went Insane
Rachmaninoff and the Evolution of Pop Songs
Musical Feuds
Piano In The Past Was Better
The Master’s Hands
Einstein’s Piano
Einstein’s Violin Improvisations In Gypsy Style
A History of Piano and Numbers
Ryan Seacrest’s Piano Concerto #2
Creative production is a thing onto itself. What does it have to do with life, which can seem not at all relevent to what is produced? The lives of great masters are often astonishing. How can great music come from such individuals? You see, I have questions, but no answers.